Wednesday, September 30, 2009

Warming up to Practise Playing Piano


Remember to warm yourself up everyday.

Dancers warm up for their practice with yoga so that their body is flexed and prepped for the difficult position or movements. This is equally important for a pianist. We use our body to achieve musical means. Start your practicing sessions with stretching, taking deep breathes, tuning your mind to focus on improving physical skills and enhancing senses. Otherwise, you find yourself having muscle cramps on fingers/arm/shoulder, mind wandering away onto your shoplist or to-do list, or you are repeatedly playing the wrong notes. And you find yourself develop a bad habit, in opposed to your ultimate goal in practicing – developing good habits.

Skills are habits. But not all habits are skills. Why? Skills are good habits. It helps you succeed in bringing out your best performance. In fact, if you connect your good habits piece by piece, you form a good performance. On the other hand, if you have lots of good habits mingled with some bad habits, you will give a mediocre performance. If you have only bad habits, you can’t even finish performing. Bad habits are the last thing you want to develop from your practice session. And the first thing to do in your practice session is to sort out your bad habits and replace with good habits that work with your musical ideal. If you teach your fingers what to do throughout the practice, they know exactly what to do. But if you ignore them, they have no sense of direction, and they screw each other up instead up working as “a team” to achieve your musical means. You have to lead them, plan them, and train them like how you would train a dog not to pee on your carpet.

So, if you have a good practice session, the good habits become your second nature. It helps you a long way to play any other pieces with ease. Imagine, not just one simple “twinkle twinkle little star”, but also the whole Mozart’s theme and variations with full musicality. Try it today and you will find out that you can do it.

Tuesday, September 29, 2009

How do you motivate yourself to practise?


When you are dissatisfied with glass half empty, don't forget that your glass is half full.

When you are too satisfied with glass half full, remind yourself the glass is still half empty.

Friday, September 25, 2009

Take a deep breath

Close your eyes and imagine you are on a water boat. Enjoy.
Artur Rubinstein playing Chopin's Barcarolle. Beautiful flamboyant piece. A good piece to learn "thrill", and "double-thrill".

Thursday, September 24, 2009

Take a deep breath

Sit back, relax, and let Bach's Toccata in C minor BWV 911 (Pianist Martha Argerich) amuses you :)

You can fall asleep and let your subsconscious mind listens to it.

For advanced pianists, listen to the multiple lines of the same themes and realize the magical effect of the long pause and the come back of the theme.

Saturday, September 19, 2009

More Recitals at Carnegie

Mitsuko Uchida performs classical piano pieces the best. I especially love her Mozart Sonata recordings. She performed Mozart's pieces so well that I thought she knows Mozart in person. Lively and yet touching; transparent touch and engaging phrasing. Words just cannot describe it all. Go to her all-Beethoven program recital. And you can tell me what you think. 



Wed, Oct 14, 2009 at 8 PM
Stern Auditorium / Perelman Stage

Mitsuko Uchida, Piano
BEETHOVENSonata No. 30 in E Major, Op. 109
BEETHOVENSonata No. 31 in A-flat Major, Op. 110
BEETHOVENSonata No. 32 in C Minor, Op. 111
Excerpt from Beethoven Sonata for Piano No. 30 in E Major, Op. 109 (II. Prestissimo)
Mitsuko Uchida, Piano
London Decca
I have found something to anticipate in January next year. I know it is too early to get excited, but it is my favorite cellist Yo-Yo Ma and well-known pianist Emanuel Ax performing a combined/collaborative recital! They had both collaborated together before. This will be a good chance to experience their performing chemistry live. They are premiering Peter Lieberson's new composition "Remembering Schumann". It will be an evening of music with romantic tone. 



Fri, Jan 29, 2010 at 8 PM
Stern Auditorium / Perelman Stage

Yo-Yo Ma, Cello
Emanuel Ax, Piano
SCHUMANNFive Pieces in Folk Style, Op. 102
SCHUMANNAdagio and Allegro, Op. 70
SCHUMANNFantasiestücke, Op. 73
PETER LIEBERSONRemembering Schumann (NY Premiere, co-commissioned by Carnegie Hall)
CHOPINCello Sonata in G Minor, Op. 65
CHOPINPolonaise brillante in C Major, Op. 3
Excerpt from Schumann Five Pieces in Folk Style, Op. 102 (IV. Nicht zu rasch)
Yo-Yo Ma, Cello / Emanuel Ax, Piano
Sony Classical

Up Coming Piano Solo Recitals at Carnegie Hall



Yes!!!  I am so happy! Murray Perahia is performing a solo recital in Carnegie Hall in October! More excitingly, he is performing Bach's Partita no. 6. Also important to note that he is playing lots of Chopin pieces ( an etude, 2 mazurkas, and scherzo No. 4) . I am excited, excited. I highly recommend my students to listen to his Chopin and Bach.  Can't wait for October to come! Detail of recital as follow: 

Fri, Oct 23, 2009 at 8 PM
Stern Auditorium / Perelman Stage

Murray Perahia, Piano
BACHPartita No. 6 in E Minor, BWV 830
BEETHOVENSonata No. 30 in E Major, Op. 109
SCHUMANNKinderszenen, Op. 15
CHOPINEtude in A-flat Major, Op. 25, No. 1, "Aeolian Harp"
CHOPINMazurka in A-flat Major, Op. 59, No. 2
CHOPINMazurka in C-sharp Minor, Op. 50, No. 3
CHOPINMazurka in F-sharp Minor, Op. 59, No. 3
CHOPINScherzo No. 4

One surprise I found from the Carnegie Hall recital calender is, Pollini is playing an all-Chopin program next year in April! It will be a great listening experience. Details as followed:


Thurs, Apr 29, 2010 at 8 PM
Stern Auditorium / Perelman Stage

Maurizio Pollini, Piano
CHOPINFantasy in F Minor, Op. 49
CHOPINFour Mazurkas, Op. 41
CHOPINSonata No. 2
CHOPINTwo Nocturnes, Op. 48
CHOPINPolonaise in F-sharp Minor, Op. 44
CHOPINBallade No. 4 in F Minor, Op. 52
CHOPINPolonaise in A-flat Major, Op. 53
Excerpt from Chopin Sonata No. 2, Op. 35 (III. Marche funebre)
Maurizio Pollini, Piano 
Deutsche Grammophon
Excerpt from Chopin Polonaise No. 3 in A, Major Op. 40, No.1, "Military"
Maurizio Pollini, Piano
Deutsche Grammophon

Thursday, September 3, 2009

Prokofiev


Anyone who loves prokofiev would have a slight kinkiness in their personality. Why? Listen to his music, you will not be more agreeable on this. There are many ways a composer can affect how a world think. Definitely, what Prokofiev has done to us all musicians and non-musicians is, music is not art that only please, it should muse you. Whichever way it is, he tells us that he could muse us with his arrangement of dissonances. And he really does.

Usually when you think that his music is a chaos, it is in its most orderly form possible. He is not just making noise. He made noises that quite resemble certain moments in your life. I think it is quite quirky type of art form and it is really quite intimate and fun to listen to.

Nowadays, many virtuoso pianists choose to perform his compositions in order to improve their pianistic skills or show off their athletic sides at piano bench. His piano concertos no.1-5 are meant to be admired like a modern piece of art. Unlike the background music that pleases everyone in restaurant you can find mysterious, lyrical, spiritual, elegant, artful, intense dynamic and dangerous moments in Prokofiev’s fine compositions. Pianists are able to play with tone colors in Debussy’s compositions, so as Prokofiev’s.

Some recommendations of recordings that are worth listening to:
Piano Concert No1 & 3 by Martha Argerich
Piano Concert No.2 by Yundi Li

Martha Argerich’s temperament suits Concert No.3 the most because she has the fiery element that helps to bring out the dynamic part of the third movement of that concerto. Listening to her third movement, you can feel that the sophistication of the pianist and the composer.

Yundi Li is a poetic pianist. More towards Chopin-Schubert type of spectrum. He is really good with the first movement. His interpretation creates a different dimension in the listening experience. His clean, transparent sound at the beginning helps to build the tension effectively towards the climax part of the piece. My favorites are first movement and the fourth movement.

In general, Prokofiev’s pieces are introduced to pianist in advanced level because they are very useful in learning intense wide jump, complex rhythm, strange intervals use, and wide range use of piano keyboard. Always, as a result, a pianist acquires a descent sight-reading skills from playing his pieces too.

Popular Posts